Article #243890

A producer shares his tips for tight storylines, but they’re marred by verbal incontinence and hyperbole

Creative writing handbooks are almost an industry in themselves: the fledgling author, dramatist or screenwriter can choose from hundreds of titles, all offering to unlock the secrets of storytelling. These books are of limited utility for literary fiction, where plot is secondary, but if you’re writing for the screen or stage, or working on genre fiction, they can be helpful. Commercial, plot-driven storytelling is, this is an inherently formulaic business, and a working knowledge of narrative structure is a crucial foundation for an aspiring writer.

In his bestselling 2014 treatise on the mechanics of narrative, Into the Woods, John Yorke demonstrated the uncanny prevalence of five-act structure (exposition, rising action, climax, falling action, denouement) in many popular movies, plays and television dramas. He reprises this theme in his new book, which starts with a lengthy disquisition on plot architecture. The five-act framework, Yorke explains, is elegantly conducive to an emotionally compelling journey, with the protagonist typically undergoing a transformative revelation at the story’s mid-point. He illustrates this with reference to hit TV programmes such as I May Destroy You, and films including Star Wars and Terminator 2.