Article #30970

Cannes film festival: Clio Barnard’s absorbing tale depicts five friends who grew up together in Birmingham but now face divided destinies

With warmth and heartfelt passion, and a quintet of outstanding performances from young actors shot in looming closeup for so much of the time, Clio Barnard has created an absorbing and moving social-realist picture. It’s a film whose mix of poignancy, defiance and contaminated euphoria stayed with me hours after the closing credits.

It is about five young people from Birmingham who grew up together, reaching the end of their 20s, sensing a looming crisis and on the verge of a tragedy that is mysteriously growing from within their own increasing disparity. It is adapted by screenwriter Enda Walsh from the novel of the same name by Kieran Goddard, the statically rendered pentaptych of five consciousnesses in Goddard’s book being transformed into a fraught and dynamic home town drama with a sense memory of Fellini’s I Vitelloni.