Article #47032

If you want to understand warrior mentality, look no further than these unflinching icons of the 1970s and 80s

People talk a lot about character in sport without always agreeing on a precise definition. Hanging in there when times get tough? Arguably that is a pre-requisite across top-level competition. The ability to keep cool, calm and collected under the most extreme pressure? Valuable, certainly, but not every cherished champion – John McEnroe or Diego Maradona, for example – fits that unflappable mould.

A more accurate gauge, perhaps, is how much certain individuals are missed once they are gone. In recent days rugby union has lost two titans who absolutely belong in that special category. Not every modern Prem flanker will be familiar with the exploits of Fergus Slattery and Roger Spurrell, both of whom have passed away at 77 and 71 respectively, but for many of us they exemplified what unquenchable warrior spirit looks like.

Give or take Willie John McBride, there was no more renowned Irish international forward in the 1970s than “Slattery of Ireland”, to borrow from Cliff Morgan’s famous commentary of the 1973 Barbarians v New Zealand game in Cardiff. On the 1974 British & Irish Lions tour he was at the peak of his powers on the hard fields of South Africa, setting new standards for fit, fast-paced and forthright wing forwards everywhere. As the suitably warm tribute issued by Blackrock College put it: “He played with ferocity and grace but without ego or theatre … Fergus never sought admiration but earned it universally.”

Spurrell, for some bizarre reason, never won an England cap but the example he set as Bath’s unflinching captain during their glory years remains indelible. His former teammate Jeremy Guscott described him in the Rugby Paper as “a true Bath rugby icon” and the former paratrooper was renowned as one of the hardest players in a notable tough Bath pack who underpinned the club’s consistent success. The journalist Jon Newcombe described the curly blond-haired Spurrell as “the West Country’s answer to Jean-Pierre Rives” and his impact on youthful imaginations was similarly vivid.