Article #7134

Richard Gadd’s at it again. His unforgiving new drama tackles the damage men do to each other head on, by pulling out his insides and smearing them everywhere. Every man should watch this queasy masterpiece

We have known for some time, I think, that men are not OK. Richard Gadd’s new drama, conceived before his astounding, semi-autobiographical creation Baby Reindeer sent his reputation stratospheric, and now broadcast in the slipstream of that success, is a fiercely intelligent, unforgiving, harrowing attempt to show us how and why.

Half Man begins in the present, with two men circling each other in a dark barn. One, Niall (Jamie Bell), is in full Scottish wedding fig. The other, Ruben (Gadd), is stripped to the waist and has his hands wrapped like a sparring boxer. The fight that is surely about to come does not seem a fair one.